7 tips for headache-free indie filmmaking

woman on the street

Written by Pioneers in Skirts guest blogger, Lucas Wiseman

Director Ashley Maria has several indie films under her belt, ranging from comedic, horror to immersive films. Ashley has spent the last 10 years discovering and putting into practice some pretty efficient tips and tricks for navigating the world of indie filmmaking. Fresh off of filming pick-ups for a post-production effort, Ashley sat down with me to share her wisdom and experience with others looking to tell their stories via the indie film medium.

Making an indie film with a small team can be daunting to any director, but Ashley’s got 7 tips to make (some of) the headaches go away.

1. Learn To Make a Packing List

When it is time to travel to a film shoot, Ashley makes a precise list of all of the items she needs – and sticks to it. “The checklist lives in DropBox so I can access it from any device, and it includes everything I have to pack for a successful shoot,” she said. “It’s key to create this list beforehand, so when it is time to actually pack, you have less opportunity to forget something!”

She added that she double checks everything the night before a shoot as well, laying it out on any horizontal surface available to her. “If there’s a desk in the hotel room, don’t even try to use it: it’s mine.”

The packing list is non-optional because of the amount of responsibilities an indie filmmaker can have on their set — from running sound and setting up lighting to camera work and prepping the interviews. “If you’re on a low-budget, then sometimes you are the sole person preparing for your shoot. This is why anxiety and list-making are good; you plan for everything that could go wrong!”

2. Rock the Fanny (Pack)

Ashley is frequently her own camerawoman, soundwoman and director, which means she needs a place to store the “hats she wears” and the equipment she needs. “For me, I have a fanny pack, one for all sound equipment and then another for extra batteries and cards. It’s about packing whatever you could possibly need during a shoot and organizing it on yourself so you know where it is the moment you need it.”

The jury is still out on the fashionability of the accessory, but for an indie filmmaker, the fanny pack is coming back.

3. Embrace The Pocket Pat Reflex

Like lesser mortals who keep their phones and keys in particular pockets, Ashley keeps her filmmaking equipment placed consistently on her person. “Habit is incredibly important to managing everything,” Ashley said. “Knowing 100% where something is on your body at any given time is essential.” According to her, keeping her left pocket full of dead batteries and her right one full of their charged cousins is a matter of dire importance.

“I never want to miss something because I accidentally grabbed a bad battery.”

Ashley shudders at the thought of recording over a memory card because she put it in the “empty” pocket by mistake. Luckily this has not happened …yet…*knock on wood.*

4. Be Hopeful, But Flexible

“Always plan out what you hope to get during your shoot. Maybe it’s a line or an interview or a specific shot. Plan it all ahead of time, because once you’re wrapped up in filming, you’re gonna forget. Being able to look down to your printed list (yes, list!), your mind will get back on track to the day’s goals. It’s all about pre-production. But then, be flexible! You’re probably going to have to lose some of those shots or interview questions because of timing, so know exactly what you need in order to make your day.”

A bonus tip: Ashley typically tried to spend as much time as possible with her interviewees for her upcoming film, Pioneers In Skirts. According to her, getting to know them on a more personal level frequently makes the interview process smoother. Plus, it’s much more fun.

5. Solve For X

“I try to remove variables. If I only have an hour for an interview, then I’m going to be behind the camera making sure we get everything we need.” It’s about making sure as much can go right as possible, while being flexible enough to survive the mishaps.”

Removing as many variables as possible isn’t easy for the two-woman team running Pioneers In Skirts, but Ashley keeps a positive attitude when she considers the hats they juggle.

6. Forgive Thyself

Ashley explains this one with a story.

“We interviewed the CEO of the National Women’s History Museum, Joan Wages, in DC. We only had half an hour, so [Lea-Ann] was in charge of camera, and I was in charge of sound.”

Tight schedules and parking issues meant the filmmakers had to rush to make the interview happen.

“Seconds before we started shooting, I was literally jumping out of a car and running a down a busy street to get there. It was down and dirty. We jumped out, mic’d us both up, focused the camera, and talked for a half hour straight.”

When they went back to look at it, the video was a little out of focus. Lea-Ann blamed herself, but Ashley was incredibly proud of her producer. “We managed to get a great interview in a great location. It was a little out of focus, but it’s totally okay because we did what we could with what we had. It is one of my favorite interviews.”

“You could beat yourself up with ‘if only,’ but you know you did everything you could with your resources to get the best interview possible. That’s filmmaking — especially for documentary: see how the day goes, see what we can get.”

7. Know It’s Never Normal

As a graduate from one of the top film schools in the country, Ashley’s USC pedigree was a big boon to her in many ways. But – she learned quickly that her expectations out of the classroom needed readjusting.

“When I first started out, I kept thinking ‘this is not the usual process’ or ‘this isn’t normal, normally they would be…’ which can hold you back.”

Her advice is to embrace the chaos. For her, it led to auspicious moments in a documentary interview with an all-girl robotics team.

Everything was pure gold, because they are just so cool. That’s when you’re happy not to have a script. You don’t know what they are going to say and do – you just can’t write it. Especially the six year olds, they just kill us.”

Ultimately, she says, that’s why she enjoys making films. “That’s what you love about it: it’s something you wouldn’t get to see otherwise. You step out of your normal to tell a story.”

Also published on the Pioneers in Skirts blog.

360 filmmaking can be affordable

What are the elements that go into making a 360 video? Well, what IS a 360 video?

In short, a 360 video is made with a camera that is able to capture ‘everywhere.’ It is able to see and record everything that goes on around it. It’s challenging to filmmakers since we are accustomed to guiding the audience with our shots, angles and edits, but it is also a welcomed change to a world that is way more connected than ever.  360 videos allow YOU, the audience, to decide where to look. You’ve got the power! As a filmmaker, I can use sound cues to encourage the audience to look in one direction or another, but what if they don’t? Then there must be something aiding the story all around.

This can be expensive for the independent filmmaker – or, so we are told. Sure, some stories require multiple cameras, hours and hours of stitching the footage and rendering, a production and post sound crew and many more experts to get everything just right so the audience will feel immersed. And yes, to be able to afford this for every story, would be the dream!

But what if you simply want to show your audience the full perspective of a moment in time? Creating this kind of empathy doesn’t have to be expensive. So, I decided to get out of my head and into the world with my 360fly camera.

360 filmmaking is about giving your audience the full perspective and allowing them to simply be in the moment. This weekend, I marched in Los Angeles for the Women’s March, and I filmed moments with my 360fly camera. Those who were unable to attend a march or maybe wondered ‘what is this march all about’ can see what it is like to be right in the middle of it all. I chose eye level so the audience would feel like they are right there next to me.

After all, these are tools to connect us. They make us think about our own lives and how we relate with each other. And – in more ways than one – they allow us to see different perspectives. Embrace 360!

Follow me on YouTube to see other 360 Full Perspectives I have created just for you 🙂

Pokemon Go and AR

Ashley playing pokemon

Since global phenomenon Pokemon Go launched on July 5, 2016 Nintendo’s shares are at 14,490 Japanese yen ($136.59), more than doubling Nintendo’s stock. Personally, I have had a great time just learning to play the game. I’ve chatted up strangers as I tried to learn tips and tricks, and I’ve totally enjoyed the exercise! In a recent interview in the Lenovo blog (below) I shared that my Fitbit step count has been the highest it has ever been.

Also shared in that interview: my initial perspective of how this free app, which works on just about any Android or iOS device, is most definitely bringing AR into the public consciousness. And oh my gosh — this is very good for me and what I’m doing around narrative 360/virtual reality (VR)!!

What I think will happen 

Gaming publishers and developers will soon come out with improved AR smartphone and goggle-related experiences; allowing for people to become even more accustomed to interactive entertainment.

So, who’s next?

My bet is on products like the Lenovo Phab 2 Pro smartphone (globally available in September) to make AR and VR as pervasive as the GPS. This Lenovo smartphone has a 16 megapixel rear camera on board with a special depth-sensing unit, along with multiple camera sensors, which power the AR experience. I am also betting on Minecraft. Yeah…I know…developers need to first make it work on smartphones and follow that up with an even more immersive experience with Hololens (or any other headset).

What do you think?

I’m guessing the future looks bright for both AR and VR — and I couldn’t be happier about it!

[What’s the difference between VR and AR? Click here.]

In the news

Article published on Lenovo blog – 14 July, 2016:

Why Pokémon Go Could Be a Watershed Moment for AR Technology

– by Gavin O’Hara

If you are alive and/or have checked the Internet over the last few days, then you know: there is an invasion happening. They are here and living amongst us—down the street, in the park, at the office—and they are adorable.

Less than a week after the release of Pokémon Go, people of all ages are wandering their neighborhoods, smartphones in hand, obedient zombies desperately hoping for a glimpse of Ponyta or Eevee. Pokémon Go not only looks to be a legitimate gaming phenomenon right out of the gate, it could also represent the moment that augmented reality (AR) went mainstream. We asked LA-based virtual reality filmmaker Ashley Maria for her take on the Poké-madness.

* * * * *

I live in Los Angeles, right across the street from a huge church. I pass it often, waving to the pastor and continuing on to the grocery store next door. It’s a nice, neighborly relationship. I have never just stood outside of it, though, looking up and staring at its sign—until today.

I just stood there. Looking. And waiting. You see, I was trying to figure out my first beacon.

Ashley at fence

I’m talking about Pokémon Go, a new smartphone-based game that forces players to go outside and explore the world around them. Maybe force is a strong word but you do have to go outside to catch Pokémon and collect supplies from “beacons” in your area.

The game places a Pokémon in the space around you and challenges you to catch it with a Poké Ball. It uses the camera on your phone, so you can actually see a little Pokémon in front of you. They put one next to you when you first start the app, but then you must venture out for a super-fun Augmented Reality experience in your city.

As AR & VR technologies make their way into the mainstream, all it takes is one breakout application to help us understand how much they will impact our lives. Pokémon Go is that app. With more than 7 million downloads after a few days, this interactive AR game leveraged nostalgia to gain initial traction, and used its real-life implementation to get us all absolutely obsessed.

I first heard about the game in my Facebook feed when a few friends were hunting Pokémon at Disneyland. A short while later—with my social feed full of images of Pokémon popping up in friends’ apartments—I knew I had to join the party.

I downloaded the app, created my character (“itsashleymaria”) and waited for it to figure out my location. Immediately, there was a little Squirtle in front of me ready to be caught! I never played the Pokémon games back in the day so I felt pretty cool throwing a little white-and-red Poké Ball to catch this guy. Through the app, I saw that there were even more beacons and interactive spots for me to check out.

I ventured out, arriving at my first beacon (the church). As I stood outside, it didn’t seem to be working. I noticed the sign was on the other side of the fence – did I need to be directly under it for it to work? I actively tried to figure out how to get into the fenced-in courtyard but no luck. I’m not one to give up easily but my phone was drained. (This app drains your battery FAST.)

After a quick charge, I returned determined to figure it out. This time, it worked right away. A cool horse-like Pokémon called Ponyta appeared. I took a billion screenshots because she was so cute, and then I caught her.

Now I’m hooked. And it made my FitBit happy! I hit about 5,000 steps just searching for Pokémon. Plus, I got to see other parts of my neighborhood I may otherwise have never seen.

To learn more about Lenovo’s own augmented reality technology, explore their new AR smartphone.